John Maus - Hey Moon
From the album: We Must Become the Pitiless Censors of Ourselves
2011
Right for this time of night…
@thethreeoclock Spun Gold encore at The Troub - what a night! / on Instagram http://bit.ly/15IHDEA
@thethreeoclock at the Troub - awesome / on Instagram http://bit.ly/10BrHmm
Boy’s zonked out/I’m just pondering my next move… catch up on tv or book? / on Instagram http://bit.ly/17hh2fJ
digging Mikal Cronin “Shout It Out” (from the album MCII out May 7 (US) on Merge)
http://bit.ly/13iCGOl
@The3Oclock performing “I Go Wild” Live @ #Coachella 2013 in the Gobi on Sunday April 14th, 2013.
…awesome!
This is quite sad and a great loss. Tim was a colleague and a friend.
Data changes habits. If you present people with information about how much physical activity they will need to do to work something off, they will make different choices. I love this so much.
Hello?! Makes too much sense…
@om
my partner Brad likes to think this way too
Uber, Data Darwinism and the future of work — Tech News and Analysis
(via fred-wilson)
(via david-noel)
The Beach Boys Shred I Get Around (by massbetelnut)
I have not laughed this hard at something on YouTube in a very long time!
O.V. Wright I Could Write A Book
Tim Adams of The Observer sat down with Thom Yorke:
In the days before we meet, he has been watching a box set of Adam Curtis’s BBC series, All Watched Over by Machines of Loving Grace, about the implications of our digitised future, so the arguments are fresh in his head. “We were so into the net around the time of Kid A,” he says. “Really thought it might be an amazing way of connecting and communicating. And then very quickly we started having meetings where people started talking about what we did as ‘content’. They would show us letters from big media companies offering us millions in some mobile phone deal or whatever it was, and they would say all they need is some content. I was like, what is this ‘content’ which you describe? Just a filling of time and space with stuff, emotion, so you can sell it?”
Having thought they were subverting the corporate music industry with In Rainbows, he now fears they were inadvertently playing into the hands of Apple and Google and the rest. “They have to keep commodifying things to keep the share price up, but in doing so they have made all content, including music and newspapers, worthless, in order to make their billions. And this is what we want? I still think it will be undermined in some way. It doesn’t make sense to me. Anyway, All Watched Over by Machines of Loving Grace. The commodification of human relationships through social networks. Amazing!”
It has been well over six years since In Rainbows altered the musical landscape on the internet. Fascinating the Yorke no longer thinks of that as a good thing.
[via The Verge]
Scott Walker, “The Old Man’s Back Again,” Scott 4
I a lot of nights lying awake in the dark with this album on my headphones.
Bookshelf photo at the Frieze Art Show
@The3Oclock performing “I Go Wild” Live @ #Coachella 2013 in the Gobi on Sunday April 14th, 2013.
The AP Style Guide Finally Deported the Term ‘Illegal Immigrant’
Yesterday, the Associated Press declared that the phrase ...
27 March 2013. The Milk Carton Kids Revue at Largo. John C. Reilly, Linford Detweiller, Gabe Witcher, Kenneth Pattengale, Joey Ryan, Dave Piltch,...
Just arrived in Boston. This is the view from our hotel room. I think it’s a good sign for the last leg of our trip. #boston #fenwaypark...